Bharatanatyam is India’s one of the most exquisite classical dance forms which originated from the temples of Tamil Nadu. Known for its beautiful dance postures and expressions, the dance form demands complete dedication from the dancer. Though the Bharatanatyam dance form is more popular among women, there are a good number of men who learn and perform the dance. The classical dance form is known for its grace, tenderness, sculpturesque poses and purity. It is believed Lord Shiva is the God of this dance form. Bharatanatyam has evolved over the centuries from a temple dance form which was performed by devadasis to a more renowned dance form revived and perfected by Rukmini Devi in the 20th century. Bharatanatyam is regarded as a fire- Dance which manifest the metaphysical element of fire in human beings. The dance movements of a Bharatanatyam dance is said to resemble to that of a dancing flame. If you look at the deeper aspect of the dance form, it has two major aspects – Lasya (the graceful feminine lines and movements) and Tandava – (the dance of Shiva which represents the masculine aspect).
The dance form emphasis on hand movements to convey a variety of emotions. It is performed with bent knees of the dancers. While dancing, the performer visualizes her or his body as made of triangles. The dance beautifully balances body weight and lower limbs, to convey meanings and emotions through various expressions and postures. There are four techniques of Bharatanatyam – Karanas, Hastas, Adavus, and Bhedas and Eye Movements. Karanas are basically defined as the transitional movements of Bharatanatyam. The term ‘Karanas’ is derived from Sanskrit word which means ‘doing’. Hastas, it is the hand gestures which give Bharatanatyam its unique charm and grace. One of the most famous hand gestures is ‘Anjali’ which means salutation in the Indian culture to greet people. Adavus, is considered as the series of steps in the ancient dance form. There are 108 principles which are accepted across Bharatanatyam schools in India, out of which 60 adavus are majorly used by performers. Bhedas and eye movements, without which the Indian classical dance form would remain incomplete. Eye expressions are a critical part of the dance form which gives its signature charm and expressiveness. Eye and neck movements are extensively included to increase the expressive quotient of the dance form. Comments are closed.
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